(Same molecule, different orientation, "cartoon" view. Same fish. Same caveat: it's not going to tell you anything useful.)What I am doing is looking at ways of picturing as ways of combining ways of visualising. (It's taken me 5 years to work out how to say that - funny, isn't it, the work that has to go in to arriving at a point of being able to state the bleedin' obvious.)
Trying to get over the traumatic fragmentation of modernism, and around the horrid postmodernist fashion of slapping things together willy-nilly in a way that doesn't make sense. To present a unified view, that enfolds various viewpoints. And one that is a bit more satisfying than "well it's all connected really, innit."
Because it does all make plenty sense. ( This proto-oncogene tyrosine-protein kinase receptor is an integral part of this fish, the fish an integral part of this pond, the pond an integral part of my environment, my environment an integral part of yours. Statin' the bleedin' obvious again.)
Obviously if these pictures are going to make proper sense we'll need a few clues about exactly how, and where, and when these integrations probably occur. But that's all for later, all I'm doing now is playing with the integrity of the picture itself.
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