If anyone is in Edinburgh this Sunday 3rd April we still have a few places available! We will be in the Patrick Geddes Room at the John Hope Gateway at the Royal Botanic Garden, from 2.00 -3.30pm.. It's suitable for total beginners, artists, scientists - any curious persons and older children. The workshop is free but please send me a message to book a place if you want to come.
Showing posts with label teaching. Show all posts
Showing posts with label teaching. Show all posts
Tuesday, 29 March 2016
Loving the lichens
I'm putting on some great workshops with my lichenologist friends Kristine Bogomazova and Frances Stoakley. We're sharing our favourite ways of getting to know these magnificent tiny crusty symbiotic life forms - a little learning, a lot of looking, some fun with watercolour paint and oil pastels.
If anyone is in Edinburgh this Sunday 3rd April we still have a few places available! We will be in the Patrick Geddes Room at the John Hope Gateway at the Royal Botanic Garden, from 2.00 -3.30pm.. It's suitable for total beginners, artists, scientists - any curious persons and older children. The workshop is free but please send me a message to book a place if you want to come.
If anyone is in Edinburgh this Sunday 3rd April we still have a few places available! We will be in the Patrick Geddes Room at the John Hope Gateway at the Royal Botanic Garden, from 2.00 -3.30pm.. It's suitable for total beginners, artists, scientists - any curious persons and older children. The workshop is free but please send me a message to book a place if you want to come.
Sunday, 15 March 2015
Painting with eukaryotes
This time I'm making paint for muticellular organisms...
Ha ha, that's right, humans, lovely, fantastic humans. This is from a wee course in 'Winter flowers in egg tempera' at the Botanics.
If you want to know how to do it, Koo Schadler is excessively good at it and generously shares her how-to expertise here.
We were doing this sort of thing:
I'm fond of doing this as it involves plenty of old-fashioned craftsmanship which is great for slowing down the thinking and making you focus on what kind of picture you think you want to make. There's a lovely textility to the work, the paint is applied in lots of translucent layers of small brushstrokes so you get a very lively surface which is nice, the pictures look still from a distance but close-up are full of the joyful seething animation of everything as it cavorts about its business.
This really isn't for the vegans! There is something both creepy and glorious about the organism-ishness of the thing you make, with its wooden support, and its rabbit-skin glue colloids, and its boney, chalky ground, and its fatty eggy skin.
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| ©Annie Barton |
What are we doing here at the Botanics? These classes are marketed as opportunities to "develop your skills and abilities", the idea being that students used them as a basis for follow-up work later on, if they wished, or simply enjoy them as a sort of hardcore way of having quiet fun. So they have to function as 'leisure' or 'hobby' activities and be transformative-educational at the same time. I've been wondering, what is the difference between 'leisure' and 'culture'? *
Why might the world need an enlarged dissection of a cycalmen in egg tempera? Who knows. But there you are, it's got one now, and it'll have to make of it the best it can.
One of the great things about this medium is that because you use food to make your paint, you are viscerally aware of the consuming nature of doing your doing. Especially as you use the yolk for the work, and the white for stiing in the fridge not being made into meringues. But help is at hand with Marvellous Egg-white Dispenser, in the form of Blue, my wonderful studio neighbour's wonderful pal.
*The answer to that of course is; "If it's done by youngish men, then it's certainly Culture, and if it's done by older women, then it's certainly Leisure."
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