
About three seconds of the film here, took me a day.
The background—or substrate as I like to think of it—if you're interested, is a cannibalism of a thing I made playing with Shiori and a stethoscope, which I couldn't use for anything else because it just looked like a watery plagiarism of Juan Usle's work, no surprises there as he paints to the rythmn of his heartbeat.

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